Vita Nova by Louise Glück You saved me,you should remember me.The spring of the year; young men buying tickets for the ferryboats.Laughter,because the air is full of apple blossoms.When I woke up,I realized I was capable of the same feeling.I rememb

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Vita Nova by Louise Glück You saved me,you should remember me.The spring of the year; young men buying tickets for the ferryboats.Laughter,because the air is full of apple blossoms.When I woke up,I realized I was capable of the same feeling.I rememb

Vita Nova by Louise Glück You saved me,you should remember me.The spring of the year; young men buying tickets for the ferryboats.Laughter,because the air is full of apple blossoms.When I woke up,I realized I was capable of the same feeling.I rememb
Vita Nova
by Louise Glück
You saved me,you should remember me.
The spring of the year; young men buying tickets for the ferryboats.
Laughter,because the air is full of apple blossoms.
When I woke up,I realized I was capable of the same feeling.
I remember sounds like that from my childhood,
laughter for no cause,simply because the world is beautiful,
something like that.
Lugano.Tables under the apple trees.
Deckhands raising and lowering the colored flags.
And by the lake’s edge,a young man throws his hat into the water;
perhaps his sweetheart has accepted him.
Crucial
sounds or gestures like
a track laid down before the larger themes
and then unused,buried.
Islands in the distance.My mother
holding out a plate of little cakes—
as far as I remember,changed
in no detail,the moment
vivid,intact,having never been
exposed to light,so that I woke elated,at my age
hungry for life,utterly confident—
By the tables,patches of new grass,the pale green
pieced into the dark existing ground.
Surely spring has been returned to me,this time
not as a lover but a messenger of death,yet
it is still spring,it is still meant tenderly.
1)我完全不明白作者想说什么
2)VITA NOVA是什么,好像是神话里的东西?为什么用这个当题目?
3)这是关于作者的介绍和她的写作风格:
One's first impression of Louise Gluck's work is its sensitivity; the second is its economy.Her minimalist poems generally begin with sharp,unrelieved feelings about love,death,and loss; these are expressed in short lines as if to cut deeper into consciousness.In the confessional vein,many of her later poems(我觉得这篇是属于她后期作品)are about the gradual disintegration of a marriage.Often,she frames autobiographical experience with myths and fables.
Her poems are elegantly poised and spare,even though their themes—loss,disenfranchisement,death—are often dark.She returns again and again to myths and ancient tales,often revivifying them to explore modern topics,as in Meadowlands,which uses Homer’s story of Odysseus and Penelope as the backdrop to the breakdown of a marriage.Many of her poems are attuned to cycles of nature,through which desire and hope are renewed.

Vita Nova by Louise Glück You saved me,you should remember me.The spring of the year; young men buying tickets for the ferryboats.Laughter,because the air is full of apple blossoms.When I woke up,I realized I was capable of the same feeling.I rememb
简历诺瓦
由路易斯格鲁克
您救了我,你应该记住我.
春天的一年;青年男子买票的ferryboats .
众笑,因为空气中充满了苹果花的香气.
当我醒来时,我意识到,我能够同样的感觉.
我记得听起来就像是从我的童年,
笑对没有任何理由,只是因为世界是美丽的,
类似的东西.
卢加诺.表苹果树下.
渔工升降的彩旗.
和湖泊的边缘,是一个年轻人,他的帽子全入水中;
或许他已经接受了他的心上人.
关键
声音或手势
轨道放下较大的主题之前,
然后使用的,埋葬.
群岛中的距离.我的母亲
举办了一盘小蛋糕,
至于我记得,改变
在任何细节,目前
生动,完整无缺,从未被
暴露于光,让我醒来高兴,在我的年龄
饿了生命,完全有信心,
由表,补丁的新草,在淡绿色
拼凑成的黑暗现有的地面.
当然,春天已经归还给我,这一次
不是作为一个情人,但送信的死亡,但
它仍是春天,但仍意味着温柔.
1 )我完全不明白作者想说什么
2 )维方差分析是什么,好像是神话里的东西?为什么用这个当题目?
3 )这是关于作者的介绍和她的写作风格:
一个人的第一印象路易丝阿格鲁克的工作是它的灵敏度;第二个是它的经济.她的诗一般极简开始夏普,unrelieved感受爱,死亡和损失;这些都是体现在短期线如削减深入意识.在教派的精神,她的许多诗歌后(我觉得这篇是属于她后期作品)正在逐渐解体的婚姻.通常情况下,她帧自传经验神话和寓言.
她的诗歌是优雅的准备和备件,即使其主题损失,剥夺,死亡往往被蒙在鼓里.她一次又一次地返回到神话和古代故事,往往revivifying他们探索现代的主题,如迈克,它使用荷马的故事,奥德修斯和佩内洛普为背景的崩溃的婚姻.她的许多诗歌是适应周期的性质,通过这些愿望和希望的延长.
自己领会吧!

Enhanced Muze Note
Gluck presents us with a narrator stretched to the point of breaking. The difficult persona of these poems produces an intimacy as foreboding as it is inviting, showing this poe...

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Enhanced Muze Note
Gluck presents us with a narrator stretched to the point of breaking. The difficult persona of these poems produces an intimacy as foreboding as it is inviting, showing this poet at her most exposed and her most aggressive....
This is a strange, haunting volume, which shimmers on the edge of understanding, like a dream from which, as Louise Gluck claims, 'you'll wake up/ in a different world.'
There is something blinding and granite-like about these beautiful, quiet poems.
Better than any poet since Plath, Gluck has perfected a kind of poem that reads as though written posthumously, but never fails to acknowledge 'the deepest human wish,' that of survival. She has inherited Rilke's genius for apprehending paradox.
In VITA NOVA, Louise Gluck ventures openly and gleefully into self-parody....[W]hat I like best about VITA NOVA is that Gluck whose work has always been sharp and witty, for the first time invites us in on the joke--all the jokes, in fact.
Since, 1990, Louise GlUck has been exploring a form that is, according to poet Robert Hass, her invention. "Vita Nova" -- like its immediate predecessors, a book-length sequence -- combines the ecstatic utterance of "The Wild Iris" with the worldly dramas elaborated in "Meadowlands. Vita Nova" is a book that exists in the long moment of spring, a book of deaths and beginnings, resignation and hope, brutal, luminous, and farseeing. Like late Yeats, "Vita Nova" dares large statement. By turns stern interlocutor and ardent novitiate, GlUck compasses the essential human paradox, a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that shape and thwart it.

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Vita新星
by路易丝Glück
You救了我,您应该记住我。
年的The春天; 买渡轮的年轻人票。
Laughter,因为空气苹果开花有很多。
我叫醒的When,我体会我有能力在同一种感觉上。
I记住听起来那个从我的童年, 没有起因的laughter,完全,因为世界是美丽的,
如此物。
Lugano. 表在苹果树下...

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Vita新星
by路易丝Glück
You救了我,您应该记住我。
年的The春天; 买渡轮的年轻人票。
Laughter,因为空气苹果开花有很多。
我叫醒的When,我体会我有能力在同一种感觉上。
I记住听起来那个从我的童年, 没有起因的laughter,完全,因为世界是美丽的,
如此物。
Lugano. 表在苹果树下。 升和降低色的旗的Deckhands。 由lake’s边缘的And,一个年轻人投掷他的帽子入水;
perhaps他的甜心接纳了他。
Crucial
sounds或姿态喜欢 在更大的题材之前放下的a轨道
未使用的and然后,埋没。
在距离的Islands。 我的母亲
holding少许cakes—板材
,只要我记得,被改变
in没有细节,片刻
vivid,原封,从未是 对光的exposed,因此我醒来了兴高采烈,在我的年龄 生活的hungry,完全地confident—
By桌,补丁新的草,淡绿色
pieced到黑暗的现有的地面里。
Surely春天返回了到我,这次 作为恋人,但是死亡的信使的not,
it是仍然春天,它体贴仍然意味。

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